THE TRUTH BEHIND ORGAN DONATION

The process of organ donation can be more complicated than most people realize.

By Georgeanne Oliver, Christine Rowley and Corlyn Voorhees

 

We talked to experts involved in the donation and transplant process, as well as two men with personal ties to organ donation — one who is waiting for a kidney, versus one who is learning to live with new arms.


How Organ Donation Works

When it comes to organ donation, the numbers tell a difficult story.

An average of 20 people die each day waiting for a life-saving organ, according to the United Network for Organ Sharing.

As the director of cardiac transplantation at Tufts Medical Center in Boston, Dr. David Denofrio has seen this kind of loss firsthand. But with more in need than organs available, his options are often limited.

New England Donor Services works with hospitals to shrink that number. Kevin Kiely, the organization’s in-house coordinator, helps families make the decision to donate the organs of dying loved one. With only 62 percent of families agreeing to the donation, it’s a job that involves hearing “no” a lot. But Kiely finds families that do decide on donation often find comfort in the positive impact they have made


For the Coach

John Snoonian is in need of a kidney — and fast.

A father of four and the former coach for the Nashoba Valley Youth Football Team, Snoonian had to step down from the position this season when his kidneys started to fail.

Due to an insufficient number of organ donors, Snoonian could be waiting years for a kidney. His best bet is to find a living donor.

Thus saveourcoach.org, a campaign to find Snoonian a donor, was born.

John’s wife, Susan Unger, said that people have already offered to be tested. The main problem is that the testing process is slow, which has been frustrating.

“A lot of it is phone tag with the people who are trying to be donors, some of it is the medical intake form, some of it’s insurance-driven because they’ll only pay for one person [to be tested] at a time,” she said.

The family has yet to find a match, but they haven’t lost hope.

“As long as I work through [the tough times] and stick with the doctors’ advice, I’ll be okay ultimately in the end,” said Snoonian.


Documenting Donation

For Will Lautzenheiser, filmmaking was his life. But in 2011, that life was abruptly altered when he contracted a life-threatening bacterial infection that forced doctors to amputate both his legs and arms.

“Just trying to regain any bit of independence was a challenge,” Lautzenheiser said.

With intensive physical therapy Lautzenheiser was eventually able to use prosthetics to attain greater mobility. However, when the opportunity for a double arm transplant arose in 2014, Lautzenheiser knew he needed to take it, despite the numerous risks involved. This would be the third double-arm transplant ever performed at Brigham and Women’s Hospital in Boston.

The feature-length documentary STUMPED chronicles Lautzenheiser’s journey though his recovery after his amputations, his decision to undergo a double-arm transplantation, and his ability to use comedy throughout the immensely difficult process.


And a little something extra:

Why is organ donation important? We’ll let those directly involved in the process tell you themselves.

Want to find out more about organ donation?

Visit these websites:

www.organdonor.gov

www.NEDS.org

www.registerme.org


Hate on Campus

How a school’s administration chooses to handle incidents of racial violence on campus can impact students as much as the initial incident.

By Niyah Gonzalez, Adam Tismaneanu and N’dea Yancey-Bragg

 

Nicole Harvey doesn’t feel safe.

The sophomore has had her dorm room at Framingham State University vandalized not once but twice with racist graffiti. Both incidents occurred in a narrow window of time when both Harvey and her roommate, also a member of the Black Student Union, had left the room.

As a result, Harvey said she feels like she’s being watched.

“We were just like, ‘This is absolutely crazy’,” Harvey said. “They know when we’re leaving and they know when we’re in our room because they do it such short amounts of time.”

This is one of four racist incidents that occurred at Framingham State within two weeks.

The university responded rather quickly. Campus police are working with the FBI to compare handwriting samples, and cameras were installed in Harvey’s dorm. There is a $1,000 reward for whomever turns in the suspect.

Millie Gonzalez, interim chief officer of diversity, inclusion and community engagement at Framingham State, said her focus going forward is to foster healing conversations on campus.

“Something terrible happened in our campus community that made our students feel unsafe, unwanted,” Gonzalez said. “We want to turn the corner and make sure they all feel respected, valued and, certainly, safe.”

The video below contains images viewers may find disturbing. 

 

How a school’s administration chooses to handle incidents of racial violence on campus can have just as big an impact on students as the initial incident itself.

Caitlyn Gardner, a target of racist graffiti this fall at Boston College where she is a student, said she was frustrated by the response, or lack thereof, from the administration. She said the school did little more than send a generic email that recycled language used when LGBT students were targeted on campus the year before.

Hundreds of students walked out of class to protest the response on October 18.

What’s challenging about these incidents is that although they are clearly examples of vandalism, whether or not they are hate crimes is a murkier question.

Carl Williams, a staff attorney at the American Civil Liberties Union of Massachusetts, explained that “hate crimes” is a legal term that is very different from “hate speech,” which is protected under the United States Constitution.

Although racist speech on campus may not be illegal, Williams said that doesn’t mean schools aren’t responsible.

“Should our institutions, especially ones that are state funded, deeply discourage racism, sexism homophobia? Yeah. Can they do that? Yeah. Should be people be brave about it and admit that historically there have been problems there? Yeah,” said Williams.

 

These incidents are not happening in vacuum. Across the country, numbers of hate crimes and hate speech are on the rise. Each person we talked to attributed the increase to the current political climate.

FBI statistics show that hate crimes increased 5% in 2016, a number that likely wouldn’t include situations like those Harvey and Gardner faced.

As Gonzalez, the official from Framingham State, put it: “No campus is immune to this type of hate.”

 


 

Stage City: The Ins and Outs of Boston’s Street Theater

A city known for its educational institutions and sports prowess also has vibrant musical chords running through its veins. You can hear it … if you take the time to listen.

By Grant Hill and Ethan Parets

ryan jordan.jpg

A Profession and a Passion at Faneuil Hall

For Ryan Jordan, this was all a part of the plan.

I think I’m one of the only people here that actually takes requests, so I’m able to really just involve the crowd and, you know, make it a thing, a kind of an act,” said Jordan.

That’s how Jordan says he differentiates himself from the others at Faneuil Hall; that’s how he reels in not just his audience but also his income.

Jordan is a busker at Faneuil Hall Marketplace in Downtown Crossing. “For me, this is what I do instead of a day job,” said Jordan, and he’s not alone. Organized by Faneuil Hall Marketplace Merchant’s Association, Jordan is one of 40 musicians, 20 variety performers, and three magicians who are currently on the classic Boston destination’s roster.

“We’re known as a festival marketplace, and the street performers are a big part of what makes Faneuil Hall what it is today,” said Christina Grice, Faneuil Hall’s events and marketing coordinator. “I would say it is a huge draw for street performers to come here and perform.”

Faneuil Hall conducts competitive auditions every year, drawing in Berklee College of Music graduates like Jordan consistently.

The catch? Faneuil Hall doesn’t pay them. The performers only take home whatever they can earn from the marketplace patrons and tourists.

Dave Bowdre

Beat the Freeze

The cold can’t stop Dave Bowdre and his pots and pans.

I’ve had these pans for over 10 years,” said Bowdre. He’s played in Boston on the street for 20 years.

You can catch Dave Bowdre at Faneuil Hall, though he is not on the roster of performers there, and he has not auditioned. Just inches from the privately-owned concourse, Bowdre sets up his buckets and pans on the public sidewalk. He entertains the shopping tourists during the holidays at Faneuil, hoping they’re in the giving spirit.

“You just gotta entertain them. You gotta have a good personality,” said Bowdre. “You gotta make it look like work, even though it’s more of a hobby type thing, you know?”

And with the holidays comes the cold.

“It’s freezing. It’s really cold. If you don’t have thermals on you ain’t gonna be able to do it. You gotta, you gotta where extra lining underneath. Otherwise you’re gonna freeze your balls off. Excuse my language,” Bowdre said,

Peter Podobry.jpg

Underground, Overworked, and Paid in Cash

With a Charlie card, it costs $2.25 to ride the T. That’s not including entertainment.

That’s extra, if you can spare it.

These performers set out to make your commute a little less horrible and, in exchange, emerge from the underground with varying levels financial success.